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  • Cultural activism: musical memories of black associativism in Rio de Janeiro (1900-1930)

    Lurian Reis da Silva Lima
    1-26
    2025-08-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9676
  • The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

    Alexandre Fenerich
    1-27
    2024-08-20
    DOI: https://doi.org/10.33871/vortex.2024.12.8824
  • Extended techniques on the trumpet: report of interaction between performers/composers and performers/constructors

    Adenilson Roberto Telles, Paulo adriano Ronqui
    1-37
    2025-09-27
    DOI: https://doi.org/10.33871/vortex.2025.13.9781
  • Immersive sound image with circular arrangements of transducers spaced in equal segments

    Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues
    1-46
    2025-01-22
    DOI: https://doi.org/10.33871/vortex.2024.12.9752
  • Layers of musical interaction: an analysis of Anders Lind's installation Lines

    Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro
    1-38
    2026-07-10
    DOI: https://doi.org/10.33871/vortex.2026.14.11478
  • "Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-34
    2024-10-17
    DOI: https://doi.org/10.33871/vortex.2024.12.9301
  • cents_analysis_v1.0

    Felipe de Almeida Ribeiro
    207-208
    2014-12-30
    DOI: https://doi.org/10.33871/23179937.2014.2.2.478
  • The Chromatic False Relation: A Compositional Device and Diegetic Trope in the English Renaissance

    Eduardo Solá Chagas Lima
    1-49
    2025-08-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9621
  • Teledescante nº1: polyphony in time of plague

    Maurício Funcia De Bonis, Fábio Scucuglia
    5
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.5
  • "It will be an honor for the country and for the friend": the letters of Friar Pedro Sinzig to Curt Lange

    Marta Castello Branco
    1-25
    2024-12-30
    DOI: https://doi.org/10.33871/vortex.2024.12.9272
  • An analysis of labor conditions of black and indigenous singers in the bahian music

    Júlia Melo Salgado, Daniele Pereira Canedo
    1-42
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9886
  • Reflections on the concepts of Meyer's Theory of Styles for musical performance

    Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
    1-26
    2024-09-17
    DOI: https://doi.org/10.33871/vortex.2024.12.9270
  • Dragonslayer: musical composition and mythical thought

    Luigi Antonio Irlandini
    5
    2021-12-15
    DOI: https://doi.org/10.33871/23179937.2021.9.3.5
  • Susanne K. Langer and the Problem of Musical and Artistic Significance.

    Clovis Salgado Gontijo Oliveira, Mauro Miguel de Araújo Teixeira
    1-29
    2025-08-19
    DOI: https://doi.org/10.33871/vortex.2025.13.9872
  • Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music

    Pyero Talone
    1-35
    2026-05-12
    DOI: https://doi.org/10.33871/vortex.2026.14.11058
  • Interview with Luigi Abbate

    Luigi Abbate, Eduardo Campolina, Igor Leão Maia
    1-31
    2020-02-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-31
  • Sound feedback control model for live electronic performance in the Ecos Study

    Ricardo Thomasi, Regis R. A. Faria
    3
    2021-12-15
    DOI: https://doi.org/10.33871/23179937.2021.9.3.3
  • Click Tracker PD patch

    João Pais
    201-203
    2014-12-30
    DOI: https://doi.org/10.33871/23179937.2014.2.2.475
  • In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters?

    Rodolfo Coelho de Souza
    1-14
    2020-02-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-14
  • moon chunks: creating musical meanings

    Sara Carvalho
    1-19
    2017-06-01
    DOI: https://doi.org/10.33871/23179937.2017.5.2.2151
  • Editorial: New Sound Ecologies

    William Teixeira, Jacek Smolicki
    1-6
    2025-02-14
    DOI: https://doi.org/10.33871/vortex.2024.12.10335
  • Searching for the sonority in the scope of Popular Music

    Luisa Meirelles, Jônatas Manzolli, Regina Machado
    1-28
    2022-09-29
    DOI: https://doi.org/10.33871/23179937.2022.10.2.6761
  • Sound board's Frequency Response Analysis of Classical Guitars

    Milton Ernesto Romero Romero, Rafael Pedrosa Salgado, Evandro Mazina Martins
    1-31
    2023-09-06
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7762
  • Women in Samba: work, collective experiences, and cultural policies

    Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos
    1-28
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9960
  • Gesture as a metaphorical process: an exploration through musical composition

    Sara Carvalho
    1-9
    2017-06-30
    DOI: https://doi.org/10.33871/23179937.2017.5.1.1852
101 - 125 of 330 items << < 1 2 3 4 5 6 7 8 9 10 > >> 
Language
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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