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  • Composing Sound Spaces: an interview with Hans Tutschku

    Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva
    1-25
    2024-12-01
    DOI: https://doi.org/10.33871/vortex.2024.12.9523
  • “Ayisyen kite lakay”: an introduction to the music of the Haitian diaspora in Brazil

    Caetano Maschio Santos
    1-33
    2025-12-15
    DOI: https://doi.org/10.33871/vortex.2025.13.10777
  • Sound feedback control model for live electronic performance in the Ecos Study

    Ricardo Thomasi, Regis R. A. Faria
    3
    2021-12-15
    DOI: https://doi.org/10.33871/23179937.2021.9.3.3
  • Click Tracker PD patch

    João Pais
    201-203
    2014-12-30
    DOI: https://doi.org/10.33871/23179937.2014.2.2.475
  • In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters?

    Rodolfo Coelho de Souza
    1-14
    2020-02-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-14
  • moon chunks: creating musical meanings

    Sara Carvalho
    1-19
    2017-06-01
    DOI: https://doi.org/10.33871/23179937.2017.5.2.2151
  • Editorial: New Sound Ecologies

    William Teixeira, Jacek Smolicki
    1-6
    2025-02-14
    DOI: https://doi.org/10.33871/vortex.2024.12.10335
  • Searching for the sonority in the scope of Popular Music

    Luisa Meirelles, Jônatas Manzolli, Regina Machado
    1-28
    2022-09-29
    DOI: https://doi.org/10.33871/23179937.2022.10.2.6761
  • Sound board's Frequency Response Analysis of Classical Guitars

    Milton Ernesto Romero Romero, Rafael Pedrosa Salgado, Evandro Mazina Martins
    1-31
    2023-09-06
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7762
  • Women in Samba: work, collective experiences, and cultural policies

    Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos
    1-28
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9960
  • Gesture as a metaphorical process: an exploration through musical composition

    Sara Carvalho
    1-9
    2017-06-30
    DOI: https://doi.org/10.33871/23179937.2017.5.1.1852
  • The Influence of Symbolic Gender Violence on the Work of Female Composers

    Janaina Fellini, Gislaine Cristina Vagetti
    1-26
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9801
  • Reinterpreting dual-aspect meter in 20th and 21st century repertoires

    Leandro Gumboski
    1-28
    2024-12-01
    DOI: https://doi.org/10.33871/vortex.2024.12.9169
  • Towards Overcoming the Guitar's Color Research Gap

    Rita Torres, Paulo Ferreira-Lopes
    16-36
    2014-06-30
    DOI: https://doi.org/10.33871/23179937.2014.2.1.445
  • Petrasonic, a musical exploration of Iowa's geology

    Jean-François Charles
    7
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.7
  • Etymology as sound analysis: a study of the terminological variation of Pantanal Birds

    Thierry Delmond, William Teixeira, Maristela Benites da Silva
    1-27
    2024-12-22
    DOI: https://doi.org/10.33871/vortex.2024.12.9504
  • The influence of instrumental timbre on the perception of tonal melodies

    Jessé Meier de Andrade, Cristiane Hatsue Vital Otutumi
    1-29
    2024-01-18
    DOI: https://doi.org/10.33871/23179937.2023.11.3.8209
  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-33
    2024-04-30
    DOI: https://doi.org/10.33871/vortex.2024.12.8724
  • Fireman Dither – Variate Ilona

    Ivan Eiji Simurra
    121-163
    2014-06-30
    DOI: https://doi.org/10.33871/23179937.2014.2.1.472
  • A quantitative comparison of viral and hit songs in the Brazilian music market

    Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro
    1-29
    2024-09-07
    DOI: https://doi.org/10.33871/vortex.2024.12.8727
  • Education and the professional life of Horn players in Brazil in the 21st Century

    Radegundis Aranha Tavares Feitosa, Maria Suellen Magalhães
    1-34
    2025-04-15
    DOI: https://doi.org/10.33871/vortex.2025.13.9496
  • Searching for Villa-Lobos’s First Piano Trio

    Paulo de Tarso Salles
    1-31
    2023-07-14
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7488
  • BatuCantada: Women in percussion subverting the musical patriarchy

    Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti
    1-24
    2025-08-19
    DOI: https://doi.org/10.33871/vortex.2025.13.9951
  • Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students un estudio experimental con estudiantes de pregrado en Música

    Renan Colombo Simões, Daniel Wolff
    1-39
    2023-12-31
    DOI: https://doi.org/10.33871/23179937.2023.11.3.8145
  • Scheduling and Sequencing Musical Events in Pure Data with Scheme for Pd

    Iain C. T. Duncan
    19
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.19
126 - 150 of 330 items << < 1 2 3 4 5 6 7 8 9 10 > >> 
Language
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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