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• INKBLOT

  Serge Bulat

  9

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.9

• Expanded Modal Rhythm

  Luigi Antonio Irlandini

  1-24

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1859

• Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

  Rael Bertarelli Gimenes Toffolo

  1-29

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9513

• Provincializing opera - the production of otherness in Les Indes Galantes producción de alteridades en Les Indes Galantes

  Maya Suemi Lemos

  1-26

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8229

• Composição para Piano a Quatro Mãos e Dois Comentários de Edson Zampronha: Elementos musicais de identificação e de sincronia técnico-interpretativa

  Maria Bernardete Castelan Póvoas, Luís Cláudio Barros

  1-26

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2168

• Pop Art as an Artistic Material of Modernity in Rock and Its Distinctions in England and the USA

  Vanessa Pironato Milani, José Cesar Fernandes Gomes

  1 - 28

  2025-08-26

  DOI: https://doi.org/10.33871/vortex.2025.13.10047

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870

• Review: The Music of Antonio Carlos Jobim

  Ines Rosa Bianca Loureiro

  1-6

  2022-12-16

  DOI: https://doi.org/10.33871/23179937.2022.10.3.4700

• Beats + Sample Manipulation in Pure Data with Raspberry Pi

  Nick Demopoulos

  28

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.28

• Editorial Dossier Brazilian Symposium on Computer Music

  Ivan Simurra, Flávio Schiavoni, Cristiano Figueiró, Isabel Nogueira

  2022-04-30

• “Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences

  Danilo Rossetti

  1-24

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8235

• Como una luna en el agua

  Francisco del Pino

  169-180

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.470

• Women in samba: what do recent academic productions say?

  Yanne Angelim Dias, Maria Zelma de Araújo Madeira

  1-27

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9936

• Editorial "The Toy Piano Takes the Stage" Dossier

  Sara Carvalho

  2020-09-15

• Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

  Helder Alves de Oliveira, Liduino Pitombeira

  1-37

  2024-01-30

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8241

• Patches in a timeline with ossia score

  Jean-Michaël Celerier

  21

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.21

• The “grandfather of the modern guitar”: Quincas Laranjeiras and his role as a cultural mediator

  Humberto Amorim, Paulo Martelli

  1-29

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7100

• Building in-situ instruments for the Street Sonatas #1 and #5

  Hans Roels

  27

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.27

• The Unity of the musical work in Aristotle Metaphysics

  Paul Wegmann, Indioney Rodrigues

  1-33

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6820

• valencia & 19th dissolving

  Dylan Neely

  140-168

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.469

• Waltzifiability hypothesis

  Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano

  1-23

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

• Duas transcrições para canto e violão de canções para canto e piano de Dinorá de Carvalho: processos composicionais e adaptação ao idiomatismo técnico instrumental

  Luís Cláudio Cabral da Silveira Ranna, Eduardo Meirinhos

  1-51

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1337

• Review: Marianne Tansman's "La guitare dans la vie d'Alexandre Tansman" (2018)

  Luigi Brandão, Marcos Holler

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3207

• Starling Murmurations as a Model for Sound Spatialization

  Said Bonduki, Leon Steidle

  2024-12-03

  DOI: https://doi.org/10.33871/vortex.2024.12.9579

• Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

  Cauã Canilha, Daniel Wolff, Edelton Gloeden

  1-41

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7941