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• Karen Tuttle's Coordination applied to the performance and interpretation of Edino Krieger's Brasiliana

  Leonardo Piermartiri, Daphne Capparelli Gerling

  13

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.13

• Abordagem Sociointerativa da Performance Musical – Reflexões Sobre Redes Sociocolaborativas da Cultura Popular em João Pessoa-PB

  Fábio Henrique Gomes Ribeiro

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2686

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Building a performance of the piece “Mutationen II für violoncelo und tonband” by Claudio Santoro.

  Diego Paixão, Juan Ignacio Ferreras,

  1-46

  2023-05-26

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7466

• Le Rossiniane op.121 (n.3) for guitar by Mauro Giuliani: considerations on the construction of performance

  Fabio Scarduelli

  1-4

  2023-04-09

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7070

• Práticas de desclassificação na performance musical: perspectivas emancipatórias para a Pesquisa Artí­stica

  Bibiana Bragagnolo

  1

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.1

• Click Tracker PD patch

  João Pais

  201-203

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.475

• Performance, interatividade e localidade em "Santos Football Music" de Gilberto Mendes

  Fernando de Oliveira Magre, Luciana Fernandes Rosa

  6

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.6

• Tradition, Innovation and Sustanability in Classical Guitar Construction

  Ricardo Barceló Ricardo Barceló

  1-44

  2026-06-03

  DOI: https://doi.org/10.33871/vortex.2026.14.11262

• Composição e performance podem ser, e frequentemente tem sido, pesquisa

  Ian Pace, Vitória Liz P. Louveira, William Teixeira

  1-23

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-23

• Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

  Tassio Lima, Joana Holanda

  1-41

  2024-08-07

  DOI: https://doi.org/10.33871/vortex.2024.12.8485

• Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

  Cláudia Araújo Garcia

  1-28

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.8726

• Duas práticas de performance de Variationen für Klavier, Op. 27 de Anton Webern: Um estudo comparativo de edições e gravações.

  Renan Eduardo Stoll, Catarina Leite Domenici

  1-65

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1343

• Estratégias de estudo aplicadas na construção da performance de seis Études Op.33 de Karol Szymanowski

  Regiane Alves, Luciana Noda, Durval Cesetti

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3205

• Shared musical creativity: teaching composer-performer collaboration

  Luciane Cardassi, Guilherme Bertissolo

  13

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.13

• Processo colaborativo na obra Arengarôa (2017) – Uma performance para tororó, percussão e live electronics

  Pedro Henrique Machado Freire, Cleber da Silveira Campos

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2611

• Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

  Clara Fernandes Albuquerque

  1-30

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9963

• Performance musical como discurso: Proposta de análise

  Caio Victor de Oliveira Lemos

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2687

• A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

  Rafael Gonçalves

  1 - 38

  2025-10-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9849

• The Role of Proportion in the First-Movement Expositions of Mozart's String Quintets

  Eduardo Sola Chagas Lima

  48-61

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.447

• Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

  Felipe Afonso, Fernando Aguera

  1-27

  2026-04-28

  DOI: https://doi.org/10.33871/vortex.2026.14.11115

• A Colaboração Compositor-Intérprete na Reelaboração de Passagens Não-Idiomáticas no Violão

  Sabrina Souza Gomes, Leonardo Loureiro Winter

  1.24

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.24

• The concept of piano timbre: perspectives from five graduate pianists

  Nayane Nogueira Soares

  1-34

  2024-12-18

  DOI: https://doi.org/10.33871/vortex.2024.12.9190

• Procesos de preparación para tocar en vivo: relatos de guitarristas de excelencia

  Rafael Iravedra, Daniel Wolff

  1.21

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.21

• Gestos corporais na performance de Andrés Segovia

  Bruno Madeira, Fabio Scarduelli

  1-14

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1340