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• O uso da Loop Station em performance musical: implicações e exigências interpretativas

  Alexsander Jorge Duarte

  14

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.14

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• XyLoops – Composição e performance de uma obra para xilofone e eletrônica em tempo real (live looping)

  Helvio Monteiro Mendes, Alexsander Jorge Duarte, Cesar Adriano Traldi

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2609

• Sensible listening technologies: a feminist and decolonial methodology for music

  Isabel Porto Nogueira

  1-32

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9958

• Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

  Cauã Canilha, Daniel Wolff, Edelton Gloeden

  1-41

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7941

• Form and Structure in J. Haydn's "Von deiner Güt' o Herr und Gott" , from The Creation

  Eduardo Sola Chagas Lima

  2

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.2

• Canto para Hildegard

  Ricardo Henrique Serrão

  1.44

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.44

• Fantasia Sul América para saxofone solo, processos de assimilação e incorporação de repertório

  José de Carvalho Oliveira, Marco Tulio de Paula Pinto

  13

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.13

• Perdão (1960) – Composição de Dinorá de Carvalho, Transcrição para Canto e Violão de original para Canto e Piano

  Luís Ranna, Eduardo Meirinhos

  1-7

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1349

• Leitura à primeira vista no ensino e aprendizagem do violão clássico

  Ricardo Arôxa

  110-130

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.433

• Ramos de Paulo Rios Filho e a tradição das rezadeiras do Delta do Parnaí­ba: Um modelo de colaboração na criação de uma peça eletroacústica mista de relevância social e cultural

  Luciane Cardassi

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2667

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• A Fuga da Donzela: Relações entre Mulheres, Violão e Discurso na Cultura Brasileira

  Cláudia Araújo Garcia

  1.30

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.30

• The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

  Rosana Marreco Brescia, Marco Brescia

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.9600

• A Networked Hybrid Interface for Audience Sonification and Machine Learning

  Konstantinos Vasilakos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.4695

• The Woman and the Guitar in Portugal: Cataloging Process

  Maria Beatriz Oliveira, Pedro Rodrigues

  1-28

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9727

• A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

  Marcus Alessi Bittencourt, Lilian Cristyelen Martins

  1-46

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11205

• A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

  Leonardo Vieira Feichas, Emerson Luiz de Biaggi, David John Cranmer

  1-24

  2023-05-19

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7431

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Gérard Grisey's Vortex Temporum from the conductor's perspective

  André Muniz, Erickinson Lima

  1-40

  2024-02-05

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8247

• Sérgio Abreu: the foundations of a guitar school

  Luciano Morais

  1-25

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7948

• Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

  Isabella Tais Sonsin, Alexandre Remuzzi Ficagna

  1-37

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7312

• Comparative study of four Julian Bream versions of Benjamin Britten's Nocturnal

  Bruno Madeira

  1-38

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7057

• A "Escola de Tárrega" : Uma Nova Pedagogia do Violão

  Cristiano Braga de Oliveira

  1.16

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.16

• Desenvolvimento e Construção do Sistema de Baquetas para Pequenos Instrumentos Suspensos - SIBAPIS2020

  Fernando Chaib, Ronan Gil, Charles Augusto, Leandro Silva, Tiago Silva

  12

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.12