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• A Fuga da Donzela: Relações entre Mulheres, Violão e Discurso na Cultura Brasileira

  Cláudia Araújo Garcia

  1.30

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.30

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

  Rosana Marreco Brescia, Marco Brescia

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.9600

• A Networked Hybrid Interface for Audience Sonification and Machine Learning

  Konstantinos Vasilakos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.4695

• The Woman and the Guitar in Portugal: Cataloging Process

  Maria Beatriz Oliveira, Pedro Rodrigues

  1-28

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9727

• A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

  Marcus Alessi Bittencourt, Lilian Cristyelen Martins

  1-46

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11205

• A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

  Leonardo Vieira Feichas, Emerson Luiz de Biaggi, David John Cranmer

  1-24

  2023-05-19

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7431

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Gérard Grisey's Vortex Temporum from the conductor's perspective

  André Muniz, Erickinson Lima

  1-40

  2024-02-05

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8247

• Sérgio Abreu: the foundations of a guitar school

  Luciano Morais

  1-25

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7948

• Comparative study of four Julian Bream versions of Benjamin Britten's Nocturnal

  Bruno Madeira

  1-38

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7057

• A "Escola de Tárrega" : Uma Nova Pedagogia do Violão

  Cristiano Braga de Oliveira

  1.16

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.16

• Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

  Isabella Tais Sonsin, Alexandre Remuzzi Ficagna

  1-37

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7312

• Desenvolvimento e Construção do Sistema de Baquetas para Pequenos Instrumentos Suspensos - SIBAPIS2020

  Fernando Chaib, Ronan Gil, Charles Augusto, Leandro Silva, Tiago Silva

  12

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.12

• Duas transcrições para canto e violão de canções para canto e piano de Dinorá de Carvalho: processos composicionais e adaptação ao idiomatismo técnico instrumental

  Luís Cláudio Cabral da Silveira Ranna, Eduardo Meirinhos

  1-51

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1337

• valencia & 19th dissolving

  Dylan Neely

  140-168

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.469

• Coordenação Bimanual e Velocidade na Performance do Violão

  Inácio Rabaioli

  1.34

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.34

• ESPER 2, an improvised oscilloscope music set

  Eric Lennartson

  25

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.25

• The classical guitar in the interior of São Paulo (1940-2000): analysis of the concert programs of Milton Nunes's personal collection

  Stephen Coffey Bolis, Fabio Scarduelli

  1-49

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6800

• Jazz performance: improvisação como conversação.

  Túlio Augusto Silva Santos

  1-5

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1344

• The stylus phantasticus in the toccata BWV 912 of Johann Sebastian Bach

  Lucas Thomasi Genero, Helena Jank

  1-25

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7390

• A performance e os recursos técnico-interpretativos de Márcio Montarroyos Análise de seus solos improvisados no disco Stone Alliance

  Marcelo Rocha dos Passos, Paulo Adriano Ronqui

  2019-08-31

  DOI: https://doi.org/10.33871/23179937.2019.7.2.2876

• Occupied reflections: audience as performers

  Sara Carvalho

  1

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.1

• Sound feedback control model for live electronic performance in the Ecos Study

  Ricardo Thomasi, Regis R. A. Faria

  3

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.3

• As Entranhas da Terra

  Stanley Levi Nazareno Fernandes

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2622