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• Developing an interpretation of Luigi Nono's ...sofferte onde serene...

  Luciane Cardassi

  1-10

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1334

• Kirchner and Time – An Analysis of Linear and Nonlinear Time in Leon Kirchner's Interlude I

  Adriana Jarvis Twitchell, Guilherme Sauerbronn Barros

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2670

• A Pesquisa Cientí­fica em Violão Divulgada por Oito Periódicos Nacionais: Mapeamento da Produção de 2009 a 2019

  Camilla dos Santos Silva, Carlos Fiorini

  1.2

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.2

• The influence of instrumental timbre on the perception of tonal melodies

  Jessé Meier de Andrade, Cristiane Hatsue Vital Otutumi

  1-29

  2024-01-18

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8209

• Entrevista com Harry Crowl

  Harry Crowl, Antonio Spoladore Hurtado

  18

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.18

• The Null Piece and Reality Check

  Miller Puckette

  11

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.11

• Editorial v5 n3

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  1-1

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2153

• Violão Suzuki: procedimentos técnicos abordados no primeiro volume e a sua relação com a escola Carlevariana

  Felipe dos Anjos Afonso, Fernando Aguera

  1.33

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.33

• A new derivation shows Schubert learning thematic work from a Beethoven sonata

  Nigel Nettheim

  1-21

  2022-10-13

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7098

• Editorial v.6 n.3

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  2018-12-01

  DOI: https://doi.org/10.33871/23179937.2018.6.3.2631

• Investigating neoclassicism around Alexandre Tansman

  Luigi Brandão

  1.14

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.14

• Editorial v5. n.1

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  1-1

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1867

• O Ecletismo nas Canções de Câmara para Canto e Piano de Carlos Alberto Pinto Fonseca

  Angelo José Fernandes, Raíssa Amaral Magrini, Sarah Victória Santibanez Migliori, Heitor Basílio Coelho

  19

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.19

• Sérgio Abreu's approaches for Fernando Sor's studies

  Bruno Madeira

  1-35

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7916

• A Ornamentação na Viola da Gamba a partir da Visão de De Machy

  André Luiz Tartas, Silvana Ruffier Scarinci, Kristina Augustin

  4

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.4

• Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition

  Barry Yuk Bun Wan

  2

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.2

• O processo interativo: reflexões sobre o gesto instrumental, participação e criação.

  Clayton Rosa Mamedes

  1-27

  2016-10-31

  DOI: https://doi.org/10.33871/23179937.2016.4.2.1318

• Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

  Gustavo Afonso, Helena Marinho

  1-35

  2024-06-24

  DOI: https://doi.org/10.33871/vortex.2024.12.8450

• "Festas da Igreja da Penha" de Ricardo Tacuchian: arranjo para clarinete e violão

  Eric Moreira

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3209

• Coeducação Musical e os "Encontros de Flauta Doce" – Um olhar para o musicar da Igreja do Caminho

  Daniela Weingärtner, Vânia Beatriz Müller

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2669

• Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students un estudio experimental con estudiantes de pregrado en Música

  Renan Colombo Simões, Daniel Wolff

  1-39

  2023-12-31

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8145

• Too big for the door

  Fernanda Aoki Navarro

  224-240

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.901

• A viola na sociedade oitocentista carioca e o baixo contí­nuo

  Luciana Câmara Queiroz de Souza, Andréa Alencar Coelho da Silva

  1.32

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.32

• Grupo de Percussão Breve histórico e primeiras performances no Brasil de 1964 a 1980

  Eduardo Fraga Tullio, Eliana Sulpicio

  1-18

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1342

• Aspects of Villa-Lobos's Tonal Style in Some of His Studies for Guitar

  Gabriel Navia

  1.12

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.12