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  • Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

    Carolina Momm de Melo, Luiz Henrique Fiaminghi
    1-38
    2024-06-25
    DOI: https://doi.org/10.33871/vortex.2024.12.8415
  • Discussing the teaching of composition at the university

    Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke
    14
    2020-02-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.14
  • An introduction to the poetics of sacred sound in twentieth-century music

    Luigi Antonio Irlandini
    65-86
    2013-12-30
    DOI: https://doi.org/10.33871/23179937.2013.1.2.430
  • Idiosyncratic Audio Feedback Networks for Music Creation

    Adriano Claro Monteiro
    2022-04-30
    DOI: https://doi.org/10.33871/23179937.2022.10.1.1
  • Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

    Ianni Barros Luna
    2
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.2
  • Cookin’: O jazz gravado ao ‘vivo’ e ‘à mesa’

    José Menezes, Eduardo Lopes
    1-27
    2023-05-02
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7773
26 - 31 of 31 items << < 1 2 
Language
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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© 2013-2024 Revista Vórtex – State University of Paraná – ISSN 2317-9937

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