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• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• The concept of piano timbre: perspectives from five graduate pianists

  Nayane Nogueira Soares

  1-34

  2024-12-18

  DOI: https://doi.org/10.33871/vortex.2024.12.9190

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• Expanding the Pianist’s Toolbox: Approaches to Arpeggiation, Pedalling, and Gesture

  Óscar Caravaca González

  1-38

  2025-09-16

  DOI: https://doi.org/10.33871/vortex.2025.13.9839

• Reflections on guitar technique based on the experience of Nenéu Liberalquino

  Deyvison Lucas da Silva, Viviane dos Santos Louro

  1-26

  2025-12-05

  DOI: https://doi.org/10.33871/vortex.2025.13.10653

• Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

  Andre Roque Cardoso, Helena Marinho

  1-34

  2026-03-31

  DOI: https://doi.org/10.33871/vortex.2026.14.10853

• Visuals, Structure and Emotion: The Toy Piano in the Dramaturgy of Piano Recitals

  Késia Decoté Rodrigues

  4

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.4

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Drawing texture with the toy piano

  Diana Blom

  2

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.2

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• Desconstructing Ligeti: report of an artistic experimentation

  Alice Martins Belém Vieira, Felipe de Oliveira Amorim

  1-26

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7225

• Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

  Gustavo Afonso, Helena Marinho

  1-35

  2024-06-24

  DOI: https://doi.org/10.33871/vortex.2024.12.8450

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870

• Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

  Tassio Lima, Joana Holanda

  1-41

  2024-08-07

  DOI: https://doi.org/10.33871/vortex.2024.12.8485

• Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano

  Brian Inglis

  5

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.5

• Searching for Villa-Lobos’s First Piano Trio

  Paulo de Tarso Salles

  1-31

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7488

• Práticas de desclassificação na performance musical: perspectivas emancipatórias para a Pesquisa Artí­stica

  Bibiana Bragagnolo

  1

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.1

• Estratégias de manipulação temporal no "Allegretto em Dó Menor D915" de Franz Schubert

  Ernesto Hartmann

  12

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.12

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Duas práticas de performance de Variationen für Klavier, Op. 27 de Anton Webern: Um estudo comparativo de edições e gravações.

  Renan Eduardo Stoll, Catarina Leite Domenici

  1-65

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1343

• Sensible listening technologies: a feminist and decolonial methodology for music

  Isabel Porto Nogueira

  1-32

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9958

• Magda Tagliaferro: the criticisms of the French music press and gender issues

  Anderson da Mata Daher

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9774

• A new derivation shows Schubert learning thematic work from a Beethoven sonata

  Nigel Nettheim

  1-21

  2022-10-13

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7098

• Estratégias de estudo aplicadas na construção da performance de seis Études Op.33 de Karol Szymanowski

  Regiane Alves, Luciana Noda, Durval Cesetti

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3205

• Shared musical creativity: teaching composer-performer collaboration

  Luciane Cardassi, Guilherme Bertissolo

  13

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.13