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  • Performing the Immersive: Electroacoustic Music at the Threshold of Technology

    César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos
    1-39
    2026-08-11
    DOI: https://doi.org/10.33871/vortex.2026.14.11748
  • Audio Quality X Accessibility How Digital Technology Changed the Way We Listen and Consume Popular Music

    Ricardo Milani Gomes
    1-14
    2016-10-31
    DOI: https://doi.org/10.33871/23179937.2016.4.2.1320
  • Music Conducting Pedagogy and Technology: A Descriptive Review of Literature

    Adamilson Abreu
    1-30
    2025-10-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9841
  • Poetics in sound art: an interview with Paulo Nenflidio

    Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio
    6
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.6
  • Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

    José Ignacio López Ramírez Gastón
    16
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.16
  • Layers of musical interaction: an analysis of Anders Lind's installation Lines

    Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro
    1-38
    2026-07-10
    DOI: https://doi.org/10.33871/vortex.2026.14.11478
  • Space in Music: what we call ‘space’ in music and what it really is

    Fabio Wanderley Janhan Sousa
    1-24
    2024-06-18
    DOI: https://doi.org/10.33871/vortex.2024.12.8490
  • Music-Therapy Experiences from a Ubiquitous Music Perspective

    Tereza Raquel Alcântara-Silva, Sandra Rocha do Nascimento, Mayara Kelly Alves Ribeiro, Damián Keller
    1-20
    2023-04-15
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7772
  • A Market of Noises and Sounds for Wellbeing (MONSWELL)

    Vinícius Andrade Pereira, Cássio de Borba Lucas
    1-20
    2024-12-24
    DOI: https://doi.org/10.33871/vortex.2024.12.9666
  • Editorial: New Sound Ecologies

    William Teixeira, Jacek Smolicki
    1-6
    2025-02-14
    DOI: https://doi.org/10.33871/vortex.2024.12.10335
  • A study about the use of Musicomovigrams in musical education

    Miguel Clemente Rubio, José Fornari Junior, Adriana N. Mendes
    1-19
    2017-06-01
    DOI: https://doi.org/10.33871/23179937.2017.5.2.2149
  • In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters?

    Rodolfo Coelho de Souza
    1-14
    2020-02-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-14
  • Sound Narrative: Honing a Deeper Understanding of Soundscapes

    Daniel Walzer
    16
    2020-03-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.16
  • Black female composers and singers - aesthetic experience and representation in music

    Gisele Massola, Michele Castro
    1-25
    2025-08-19
    DOI: https://doi.org/10.33871/vortex.2025.13.9906
  • Teaching electronic music – journeys through a changing landscape

    Simon Emmerson
    12
    2020-02-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.12
  • Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

    Ianni Barros Luna
    2
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.2
  • Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

    Erickinson Lima, André Muniz
    1-29
    2024-04-16
    DOI: https://doi.org/10.33871/vortex.2024.12.8348
  • Towards Overcoming the Guitar's Color Research Gap

    Rita Torres, Paulo Ferreira-Lopes
    16-36
    2014-06-30
    DOI: https://doi.org/10.33871/23179937.2014.2.1.445
  • Noise as Timbre of Materiality

    Roberto Wu
    1-24
    2025-08-29
    DOI: https://doi.org/10.33871/vortex.2025.13.10840
  • Jade God In

    Ivan Eiji Simurra
    181-188
    2014-12-30
    DOI: https://doi.org/10.33871/23179937.2014.2.2.471
  • Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

    Alfonso Benetti
    1-14
    2024-08-08
    DOI: https://doi.org/10.33871/vortex.2024.12.9555
  • Expanded Modal Rhythm

    Luigi Antonio Irlandini
    1-24
    2017-06-30
    DOI: https://doi.org/10.33871/23179937.2017.5.1.1859
  • [vstplugin~] – A Pd external for hosting VST plugins

    Christof Ressi
    20
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.20
  • Music virality on social platforms: A literature review

    Gabriel P. Oliveira, Ana Paula Couto da Silva, Mirella M. Moro
    1-32
    2025-11-17
    DOI: https://doi.org/10.33871/vortex.2025.13.10848
  • Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

    Sérgio Freire, José Henrique Padovani, Caio Costa Campos
    2022-04-30
    DOI: https://doi.org/10.33871/23179937.2022.10.1.5
1 - 25 of 48 items 1 2 > >> 
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Keywords

  • Musical Interpretation
  • Classical Guitar
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  • instrumental performance
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  • Toy piano
  • Intersectionality
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  • Performance
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  • Sérgio Abreu
  • Pure Data
  • Women
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  • identity
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  • extended techniques
  • sound art
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  • modernism
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  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
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  • Musical performance

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