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##search.searchResults.foundPlural##
Petrasonic, a musical exploration of Iowa's geology
Jean-François Charles
7
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.7
Si amanece, nos vamos for solo guitar: Using multiphonics in a new way
Rita Torres
1.7
2020-12-15
DOI:
https://doi.org/10.33871/23179937.2020.8.3.1.7
Scheduling and Sequencing Musical Events in Pure Data with Scheme for Pd
Iain C. T. Duncan
19
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.19
Editorial v.8 n.1 (2020)
Felipe de Almeida Ribeiro
2020-03-27
Immersive sound image with circular arrangements of transducers spaced in equal segments
Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues
1-46
2025-01-22
DOI:
https://doi.org/10.33871/vortex.2024.12.9752
Fireman Dither – Variate Ilona
Ivan Eiji Simurra
121-163
2014-06-30
DOI:
https://doi.org/10.33871/23179937.2014.2.1.472
What Pd Can't Teach; What It Can
Joshua Hudelson
13
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.13
Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education
Thiago, Elenisio
1-26
2025-10-27
DOI:
https://doi.org/10.33871/vortex.2025.13.10702
The Practice of Teaching Composition
Dániel Péter Biró
1-11
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.1-11
Notes on the historical factors that led composition become distanced from music education
Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato
1-31
2026-06-26
DOI:
https://doi.org/10.33871/vortex.2026.14.11372
Listening to/with Mar Paradoxo: a collective practice for sharing listenings
Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis
1
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.1
Pd and Audio Programming in the 21st Century
Eric Lyon
12
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.12
Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)
Juan Diego Martinez Alvarez, Angelica Maria Rincon
1-38
2026-05-19
DOI:
https://doi.org/10.33871/vortex.2026.14.11168
Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments
Isabela Corintha, Giordano Cabral
7
2022-04-30
DOI:
https://doi.org/10.33871/23179937.2022.10.1.7
A quantitative comparison of viral and hit songs in the Brazilian music market
Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro
1-29
2024-09-07
DOI:
https://doi.org/10.33871/vortex.2024.12.8727
Dead voices and lost sounds: an imagined sonic history
Adrienne Kapstein
10
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.10
Analysis and resynthesis of real instruments using Pure Data and the MKMR library
Miguel Moreno
22
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.22
A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque
Ferran Tamarit
1-34
2026-03-17
DOI:
https://doi.org/10.33871/vortex.2026.14.10939
Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea
Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini
2022-04-30
DOI:
https://doi.org/10.33871/23179937.2022.10.1.6
Post-Colonial Disputes in Kriolu Rap: lusophony’s erasures in a communicational perspective.
Mário A. O. M. Rolim, Thiago Soares, Guilherme Souto
1-25
2026-09-02
DOI:
https://doi.org/10.33871/vortex.2026.14.11252
INKBLOT
Serge Bulat
9
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.9
Expanded Modal Rhythm
Luigi Antonio Irlandini
1-24
2017-06-30
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1859
[vstplugin~] – A Pd external for hosting VST plugins
Christof Ressi
20
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.20
26 - 48 of 48 items
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