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• The Guitar as a Laboratory for Experimentation

  Camilo A. Mendez San Juan

  1.10

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

• Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

  Andre Roque Cardoso, Helena Marinho

  1-34

  2026-03-31

  DOI: https://doi.org/10.33871/vortex.2026.14.10853

• Damiano Cozzella’s pop avant-garde: cultural hybridization and the composition as a critical act

  Fernando Magre, Mónica Vermes

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.10593

• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)

  Juan Diego Martinez Alvarez, Angelica Maria Rincon

  1-38

  2026-05-19

  DOI: https://doi.org/10.33871/vortex.2026.14.11168

• Halny, for flute and guitar

  Eduardo Frigatti

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2624

• Developing an interpretation of Luigi Nono's ...sofferte onde serene...

  Luciane Cardassi

  1-10

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1334

• Editorial: New Sound Ecologies

  William Teixeira, Jacek Smolicki

  1-6

  2025-02-14

  DOI: https://doi.org/10.33871/vortex.2024.12.10335

• The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

  Alexandre Fenerich

  1-27

  2024-08-20

  DOI: https://doi.org/10.33871/vortex.2024.12.8824

• Teledescante nº1: polyphony in time of plague

  Maurício Funcia De Bonis, Fábio Scucuglia

  5

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.5

• Extended techniques on the trumpet: report of interaction between performers/composers and performers/constructors

  Adenilson Roberto Telles, Paulo adriano Ronqui

  1-37

  2025-09-27

  DOI: https://doi.org/10.33871/vortex.2025.13.9781

• Dragonslayer: musical composition and mythical thought

  Luigi Antonio Irlandini

  5

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.5

• The analogies toy: poetic algorithm as a composition strategy

  Armando Lôbo

  1-7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-7

• "Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

  Daniel Issa Gonçalves, Paulo Augusto Castagna

  1-34

  2024-10-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9301

• The Toy Piano Is Not a Toy

  Antonietta Loffredo

  3

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.3

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• Temporality and performing style in Luciano Berio's Sequenza XI for guitar

  Diego Castro-Magas

  1.31

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.31

• Gesture as a metaphorical process: an exploration through musical composition

  Sara Carvalho

  1-9

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1852

• The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

  Polyane Schneider Hochheim, Ana Telles

  1-33

  2026-03-24

  DOI: https://doi.org/10.33871/vortex.2026.14.11049

• Women in the practice of Mbira in Mozambique: breaking down gender barriers.

  Micas Orlando Silambo

  1-41

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9681

• The 1922 Week of Modern Art and the nationalist element in the discourse on music in Brazil

  Flavio Terrigno Barbeitas

  1-22

  2022-12-16

  DOI: https://doi.org/10.33871/23179937.2022.10.3.7101

• Nzikitanza – A piece on the resistance against the MUOS in Niscemi, Sicily

  Marcello Messina

  208-223

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.899

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870

• Si amanece, nos vamos for solo guitar: Using multiphonics in a new way

  Rita Torres

  1.7

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.7

• ‘Chess studies’ for String Quartet: Composition based on chess

  Alberto Hortigüela, Sara Carvalho

  1-34

  2025-07-22

  DOI: https://doi.org/10.33871/vortex.2025.13.9479