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• Form and Structure in J. Haydn's "Von deiner Güt' o Herr und Gott" , from The Creation

  Eduardo Sola Chagas Lima

  2

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.2

• The Woman and the Guitar in Portugal: Cataloging Process

  Maria Beatriz Oliveira, Pedro Rodrigues

  1-28

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9727

• We walk together (2020)

  Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara

  8

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.8

• Petrasonic, a musical exploration of Iowa's geology

  Jean-François Charles

  7

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.7

• Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

  Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho

  1-37

  2024-06-27

  DOI: https://doi.org/10.33871/vortex.2024.12.8398

• A Market of Noises and Sounds for Wellbeing (MONSWELL)

  Vinícius Andrade Pereira, Cássio de Borba Lucas

  1-20

  2024-12-24

  DOI: https://doi.org/10.33871/vortex.2024.12.9666

• The Practice of Teaching Composition

  Dániel Péter Biró

  1-11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-11

• Taste This Score

  Eliana Rosales

  1+14

  2023-05-02

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7775

• Post-Colonial Disputes in Kriolu Rap: lusophony’s erasures in a communicational perspective.

  Mário A. O. M. Rolim, Thiago Soares, Guilherme Souto

  1-25

  2026-09-02

  DOI: https://doi.org/10.33871/vortex.2026.14.11252

• Magdalena Tagliaferro: repertoire and performances according to French music critics

  Anderson da Mata Daher

  1-30

  2024-06-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8546

• Perspectivas Filosóficas da Educação Musical

  Randall Allsup, Margarete Arroyo, Renato de Carvalho Cardoso

  2018-04-01

  DOI: https://doi.org/10.33871/23179937.2018.6.1.2405

• It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

  Denise Santiago-Figueiredo, Ana Paola Laeber

  1-36

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9893

• On Music and Political Concerns: An Interview with Hilda Paredes

  Luis Velasco-Pufleau, Hilda Paredes

  16

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.16

• Ubá, Belenenses

  Eduardo Frigatti

  1.42

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.42

• valencia & 19th dissolving

  Dylan Neely

  140-168

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.469

• I saw them colours of your flag – A Speech-Based Composition on Aboriginal Sovereignty

  Marcello Messina

  1-8

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1865

• Fedra

  Lilian Campesato

  265-269

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.906

• Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

  Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.6

• Concerto para violino de György Ligeti: sua relevância enquanto obra representativa do estilo tardio "Não-Atonal" do compositor

  Ivan Santos Machado Dantas, Alexandre Roberto Lunsqui

  70-106

  2015-06-30

  DOI: https://doi.org/10.33871/23179937.2015.3.1.754

• Tradition, Innovation and Sustanability in Classical Guitar Construction

  Ricardo Barceló Ricardo Barceló

  1-44

  2026-06-03

  DOI: https://doi.org/10.33871/vortex.2026.14.11262