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• Reflections on guitar technique based on the experience of Nenéu Liberalquino

  Deyvison Lucas da Silva, Viviane dos Santos Louro

  1-26

  2025-12-05

  DOI: https://doi.org/10.33871/vortex.2025.13.10653

• Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

  Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt

  1-42

  2026-05-25

  DOI: https://doi.org/10.33871/vortex.2026.14.11015

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• Development and Construction of the Snare Control System by Pedal - SICESP2020

  Fernando Martins de Castro Chaib, Charles Augusto Braga Leandro, Leandro César, Tiago Alexandre Silva

  1-31

  2023-04-09

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7075

• The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

  Luigi Brandão, Flavio Barbeitas

  1-25

  2025-07-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9425

• Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

  Helvis Costa, Fabio Scarduelli

  1-39

  2024-04-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8631

• A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

  Rafael Gonçalves

  1 - 38

  2025-10-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9849

• Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

  Cauã Canilha, Daniel Wolff, Edelton Gloeden

  1-41

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7941

• The influence of instrumental timbre on the perception of tonal melodies

  Jessé Meier de Andrade, Cristiane Hatsue Vital Otutumi

  1-29

  2024-01-18

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8209

• Building a performance of the piece “Mutationen II für violoncelo und tonband” by Claudio Santoro.

  Diego Paixão, Juan Ignacio Ferreras,

  1-46

  2023-05-26

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7466

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

  Itamar Vidal, Danilo Rossetti

  1-47

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11000

• A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

  Ferran Tamarit

  1-34

  2026-03-17

  DOI: https://doi.org/10.33871/vortex.2026.14.10939

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• O processo de adaptação para violão do Capriccio em Ré maior (SW 91.2, SW 25*) para alaúde barroco de Silvius Leopold Weiss (1687-1750)

  André Freitas Simão

  1-36

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1333

• Searching for Villa-Lobos’s First Piano Trio

  Paulo de Tarso Salles

  1-31

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7488

• “Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences

  Danilo Rossetti

  1-24

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8235

• Duas transcrições para canto e violão de canções para canto e piano de Dinorá de Carvalho: processos composicionais e adaptação ao idiomatismo técnico instrumental

  Luís Cláudio Cabral da Silveira Ranna, Eduardo Meirinhos

  1-51

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1337

• Leitura à primeira vista no ensino e aprendizagem do violão clássico

  Ricardo Arôxa

  110-130

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.433

• Caixa Expandida por Meios Eletrônicos: Construção, Composição e Performance

  Thiago de Souza Ferreira, Cesar Adriano Traldi

  1-19

  2016-10-31

  DOI: https://doi.org/10.33871/23179937.2016.4.2.1316

• The classical guitar in the interior of São Paulo (1940-2000): analysis of the concert programs of Milton Nunes's personal collection

  Stephen Coffey Bolis, Fabio Scarduelli

  1-49

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6800

• Gérard Grisey's Vortex Temporum from the conductor's perspective

  André Muniz, Erickinson Lima

  1-40

  2024-02-05

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8247

• Das imagens à criação de formas sonoras – Uma possí­vel epistemologia dos processos de análise e composição com suporte computacional

  Danilo Rossetti

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2602

• O processo interativo: reflexões sobre o gesto instrumental, participação e criação.

  Clayton Rosa Mamedes

  1-27

  2016-10-31

  DOI: https://doi.org/10.33871/23179937.2016.4.2.1318

• Resenha crí­tica do livro Escuela de la Guitarra: Exposición de la teorí­a instrumental de Abel Carlevaro

  Aluísio Coelho Barros

  102-109

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.451