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• Layers of musical interaction: an analysis of Anders Lind's installation Lines

  Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro

  1-38

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11478

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• We walk together (2020)

  Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara

  8

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.8

• Immersive sound image with circular arrangements of transducers spaced in equal segments

  Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues

  1-46

  2025-01-22

  DOI: https://doi.org/10.33871/vortex.2024.12.9752

• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

  Ianni Barros Luna

  2

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.2

• Editorial: New Sound Ecologies

  William Teixeira, Jacek Smolicki

  1-6

  2025-02-14

  DOI: https://doi.org/10.33871/vortex.2024.12.10335

• Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

  Rael Bertarelli Gimenes Toffolo

  1-29

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9513

• Listening after nature? Field recording in flux.

  Rui Miguel Paiva Chaves

  1-5

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7637

• Dead voices and lost sounds: an imagined sonic history

  Adrienne Kapstein

  10

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.10

• The Critical Ear

  Sara Pinheiro

  1-17

  2024-12-22

  DOI: https://doi.org/10.33871/vortex.2024.12.9522

• Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

  Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.6

• Sound feedback control model for live electronic performance in the Ecos Study

  Ricardo Thomasi, Regis R. A. Faria

  3

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.3

• A Market of Noises and Sounds for Wellbeing (MONSWELL)

  Vinícius Andrade Pereira, Cássio de Borba Lucas

  1-20

  2024-12-24

  DOI: https://doi.org/10.33871/vortex.2024.12.9666

• INKBLOT

  Serge Bulat

  9

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.9

• Noise as Timbre of Materiality

  Roberto Wu

  1-24

  2025-08-29

  DOI: https://doi.org/10.33871/vortex.2025.13.10840

• Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

  Budhaditya Chattopadhyay

  1-19

  2025-01-22

  DOI: https://doi.org/10.33871/vortex.2024.12.9663

• A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

  Fernando Falci de Souza, Adolfo Maia Jr.

  4

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.4

• Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

  Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt

  1-42

  2026-05-25

  DOI: https://doi.org/10.33871/vortex.2026.14.11015

• Etymology as sound analysis: a study of the terminological variation of Pantanal Birds

  Thierry Delmond, William Teixeira, Maristela Benites da Silva

  1-27

  2024-12-22

  DOI: https://doi.org/10.33871/vortex.2024.12.9504

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• Editorial v9 n2 dossier "Creative Practices in Sound Art"

  Clayton Mamedes

  2021-12-10

• Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

  Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.5

• Processo de Criação de "La Hora Mágica" para Sax e Eletrônica à luz da Teoria dos Conjuntos e do conceito de Dispositivo Composicional

  Daniel Eduardo Quaranta

  1-21

  2016-10-31

  DOI: https://doi.org/10.33871/23179937.2016.4.2.1324

• Petrasonic, a musical exploration of Iowa's geology

  Jean-François Charles

  7

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.7