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  • Music Segmentation and Similarity Estimation Applied to a Gaze-Controlled Musical Interface

    Higor A. F. Camporez, Yasmin M. de Freitas, Jair A. L. Silva, Leandro L. Costalonga, Helder R. O. Rocha
    1-25
    2023-05-02
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7068
  • Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools

    Vinícius Cesar de Oliveira, Thales Roel P. Pessanha
    8
    2021-12-15
    DOI: https://doi.org/10.33871/23179937.2021.9.3.8
  • Teaching and Learning Electronic Music Composition

    Joachim Heintz
    1-8
    2020-02-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-8
  • Teaching Music Composition: A Poetic Interdisciplinary Path Through Art and Life

    Roseane Yampolschi
    15
    2020-03-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.15
  • It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

    Denise Santiago-Figueiredo, Ana Paola Laeber
    1-36
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9893
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Language
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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