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• The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

  Rosana Marreco Brescia, Marco Brescia

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.9600

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• The night, the music: a cognitive hypothesis

  Maurício Dottori

  7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.7

• A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

  Leonardo Vieira Feichas, Emerson Luiz de Biaggi, David John Cranmer

  1-24

  2023-05-19

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7431

• Editorial v.8 n.1 (2020)

  Felipe de Almeida Ribeiro

  2020-03-27

• Audio Quality X Accessibility How Digital Technology Changed the Way We Listen and Consume Popular Music

  Ricardo Milani Gomes

  1-14

  2016-10-31

  DOI: https://doi.org/10.33871/23179937.2016.4.2.1320

• Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

  Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9869

• Creating from the Body: Gendered Agency in Contemporary Music Performance

  Iracema De Andrade Almeida

  1-27

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11231

• Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

  Itamar Vidal, Danilo Rossetti

  1-47

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11000

• Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

  Felipe Afonso, Fernando Aguera

  1-27

  2026-04-28

  DOI: https://doi.org/10.33871/vortex.2026.14.11115

• Tropical(ist) Fantasies: Bossa nova and samba in contemporary Lebanon

  Gabrielle Messeder

  2018-12-01

  DOI: https://doi.org/10.33871/23179937.2018.6.3.2632

• Magda Tagliaferro: the criticisms of the French music press and gender issues

  Anderson da Mata Daher

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9774

• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• Teaching Music Composition: A Poetic Interdisciplinary Path Through Art and Life

  Roseane Yampolschi

  15

  2020-03-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.15

• Discussing the teaching of composition at the university

  Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke

  14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.14

• Artistic Research in Theses and Dissertations at Brazilian Universities between 2018 and 2022

  Marta Macedo Brietzke, Mario Videira

  1-42

  2025-07-22

  DOI: https://doi.org/10.33871/vortex.2025.13.10394

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market

  Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.2

• Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

  Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo

  1-34

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11041

• Jade God In

  Ivan Eiji Simurra

  181-188

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.471

• A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

  Marcus Alessi Bittencourt, Lilian Cristyelen Martins

  1-46

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11205

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Editing Strategies for Overcoming Instrumentation Issues in Rebay's Großes Duo in a-Moll

  Luiz Mantovani

  1.15

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.15

• Huni Kuin shamanic chants: ayahuasca cerimonies, cosmologies and bridges between worlds

  Leonardo Bomfim

  2025-06-09

  DOI: https://doi.org/10.33871/vortex.2025.13.8946

• The Spatial Dimension as an Expressive and Structuring Element in Phonograms from the 1950s

  Gilberto Assis Rosa

  1-22

  2024-12-06

  DOI: https://doi.org/10.33871/vortex.2024.12.9084