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  • Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music

    Pyero Talone
    1-35
    2026-05-12
    DOI: https://doi.org/10.33871/vortex.2026.14.11058
  • The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

    Polyane Schneider Hochheim, Ana Telles
    1-33
    2026-03-24
    DOI: https://doi.org/10.33871/vortex.2026.14.11049
  • Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2

    Pyero Talone
    1-28
    2024-02-06
    DOI: https://doi.org/10.33871/23179937.2023.11.3.8218
  • Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

    Helder Alves de Oliveira, Liduino Pitombeira
    1-37
    2024-01-30
    DOI: https://doi.org/10.33871/23179937.2023.11.3.8241
  • Composição de duas novas obras a partir de repositórios gerados pela modelagem sistêmica do Ponteio Nº 14 de Camargo Guarnieri

    Pedro Miguel de Moraes, Liduino Pitombeira
    2019-04-01
    DOI: https://doi.org/10.33871/23179937.2019.7.1.2679
  • Editorial v.6 n.2

    Felipe de Almeida Ribeiro, Fabio Scarduelli
    2018-09-01
    DOI: https://doi.org/10.33871/23179937.2018.6.2.2601
1 - 6 of 6 items
Language
  •   English
  •   Español
  •   Português

Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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