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Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music
Pyero Talone
1-35
2026-05-12
DOI:
https://doi.org/10.33871/vortex.2026.14.11058
The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri
Polyane Schneider Hochheim, Ana Telles
1-33
2026-03-24
DOI:
https://doi.org/10.33871/vortex.2026.14.11049
Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2
Pyero Talone
1-28
2024-02-06
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8218
Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri
Helder Alves de Oliveira, Liduino Pitombeira
1-37
2024-01-30
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8241
Composição de duas novas obras a partir de repositórios gerados pela modelagem sistêmica do Ponteio Nº 14 de Camargo Guarnieri
Pedro Miguel de Moraes, Liduino Pitombeira
2019-04-01
DOI:
https://doi.org/10.33871/23179937.2019.7.1.2679
Editorial v.6 n.2
Felipe de Almeida Ribeiro, Fabio Scarduelli
2018-09-01
DOI:
https://doi.org/10.33871/23179937.2018.6.2.2601
1 - 6 of 6 items
Language
English
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Keywords
Musical Interpretation
Classical Guitar
Musical Analysis
Composition
New music
Rock
Acoustic Ecology
instrumental performance
Piano performance
Toy piano
Intersectionality
Performance Practice
Listening
Percussion
contemporary music
Electroacoustic Music
Performance
Music Composition
Sérgio Abreu
Pure Data
Women
Pedagogy
identity
Field Recording
extended techniques
sound art
Samba
Silence
modernism
Soundscape
Brazilian music
Guitar
Improvisation
Artistic research
compositional techniques
Female Composers
Camargo Guarnieri
Technology
Music
Musical performance
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