Search

Search Results

• Tradition, Innovation and Sustanability in Classical Guitar Construction

  Ricardo Barceló Ricardo Barceló

  1-44

  2026-06-03

  DOI: https://doi.org/10.33871/vortex.2026.14.11262

• Towards Overcoming the Guitar's Color Research Gap

  Rita Torres, Paulo Ferreira-Lopes

  16-36

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.445

• Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

  Felipe Afonso, Fernando Aguera

  1-27

  2026-04-28

  DOI: https://doi.org/10.33871/vortex.2026.14.11115

• Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students un estudio experimental con estudiantes de pregrado en Música

  Renan Colombo Simões, Daniel Wolff

  1-39

  2023-12-31

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8145

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• Waltzifiability hypothesis

  Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano

  1-23

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

• The classical guitar in the interior of São Paulo (1940-2000): analysis of the concert programs of Milton Nunes's personal collection

  Stephen Coffey Bolis, Fabio Scarduelli

  1-49

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6800

• Investigating neoclassicism around Alexandre Tansman

  Luigi Brandão

  1.14

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.14

• Behind the scenes of Francisco Mignone’s “Concerto for Guitar and Orchestra” reviewed by Sergio Abreu.

  Maurício Orosco

  1-27

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7933

• The Woman and the Guitar in Portugal: Cataloging Process

  Maria Beatriz Oliveira, Pedro Rodrigues

  1-28

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9727

• Three sketches for guitar

  Mário Aníbal Gonçalves Rego Cardoso

  1.43

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.43

• Dossier "Homage to Sérgio Abreu: guitar, contexts, practices and characters" Dossiê “Homenagem a Sérgio Abreu: violão, contextos, práticas e personagens”

  Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Guilherme Poletto

  1-2

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.8362

• Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

  Cauã Canilha, Daniel Wolff, Edelton Gloeden

  1-41

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7941

• Review: Marianne Tansman's "La guitare dans la vie d'Alexandre Tansman" (2018)

  Luigi Brandão, Marcos Holler

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3207

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

  Helvis Costa, Fabio Scarduelli

  1-39

  2024-04-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8631

• Right-hand guitar techniques incorporated unevenly in Spanish and English-speaking countries

  Ricardo Barceló

  1-30

  2023-08-15

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7842

• Sound board's Frequency Response Analysis of Classical Guitars

  Milton Ernesto Romero Romero, Rafael Pedrosa Salgado, Evandro Mazina Martins

  1-31

  2023-09-06

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7762

• Cataloging Sérgio Abreu guitars

  Walmor Angelo Boza, Daiane Boza, Juarez Bergmann Filho

  1-31

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7950

• Estudo Nazarethiano nº 12, para violão solo

  Luís Fabiano Farias Borges

  1.40

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.40

• Interview with Luigi Abbate

  Luigi Abbate, Eduardo Campolina, Igor Leão Maia

  1-31

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-31

• O Violão Sete Cordas no Choro Tradicional e no Choro Não Tradicional

  Luís Fabiano Farias Borges, Maria Alice Volpe

  1.38

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.38

• Formal segmentation and harmonic pentatonicism in Sgt. Peppers Lonely Hearts Club Band

  Ciro Visconti

  1-30

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6729

• Comparative study of four Julian Bream versions of Benjamin Britten's Nocturnal

  Bruno Madeira

  1-38

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7057