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• The Influence of Symbolic Gender Violence on the Work of Female Composers

  Janaina Fellini, Gislaine Cristina Vagetti

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9801

• Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

  Juliane Larsen, Camila Cardoso

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9887

• Women and gender perspective: analyzing the repertoire of professional choirs in Southeast Brazil

  Maria Rúbia de Moraes Andreta, Susana Cecília Igayara-Souza

  1-37

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9894

• The Woman and the Guitar in Portugal: Cataloging Process

  Maria Beatriz Oliveira, Pedro Rodrigues

  1-28

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9727

• Black female composers and singers - aesthetic experience and representation in music

  Gisele Massola, Michele Castro

  1-25

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9906

• The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

  Rosana Marreco Brescia, Marco Brescia

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.9600

• Creative processes in musical composition: sources of inspiration under self-scrutiny

  Rita Torres

  1-14

  2023-05-02

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7444

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925