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• Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition

  Barry Yuk Bun Wan

  2

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.2

• Space in Music: what we call ‘space’ in music and what it really is

  Fabio Wanderley Janhan Sousa

  1-24

  2024-06-18

  DOI: https://doi.org/10.33871/vortex.2024.12.8490

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Music Composition Today

  Ming Tsao

  1-10

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-10

• The night, the music: a cognitive hypothesis

  Maurício Dottori

  7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.7

• Idiosyncratic Audio Feedback Networks for Music Creation

  Adriano Claro Monteiro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.1

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

  Vinícius Cesar de Oliveira, José Henrique Padovani

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.3

• An introduction to the poetics of sacred sound in twentieth-century music

  Luigi Antonio Irlandini

  65-86

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.430

• Discussing the teaching of composition at the university

  Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke

  14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.14

• Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

  Felipe Vasconcelos, Renan Simões

  1-37

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10837

• Editorial v.8 n.1 (2020)

  Felipe de Almeida Ribeiro

  2020-03-27

• Teaching Music Composition: A Poetic Interdisciplinary Path Through Art and Life

  Roseane Yampolschi

  15

  2020-03-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.15

• Reimagining a Riemannian symbology for the structural harmonic analysis of 19th-century tonal music.

  Marcus Alessi Bittencourt

  30-48

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.428

• Teaching electronic music – journeys through a changing landscape

  Simon Emmerson

  12

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.12

• Real-time Analysis of Interactive Scores in PWGL

  Mika Kuuskankare

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.4

• Ecosystem [512]: Acoustic Ecology Surveys as Music

  Garrison Gerard

  1-27

  2024-12-03

  DOI: https://doi.org/10.33871/vortex.2024.12.9521

• Interview with Luigi Abbate

  Luigi Abbate, Eduardo Campolina, Igor Leão Maia

  1-31

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-31

• Morton Feldman @100

  Ming Tsao

  1-21

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11610

• Jade God In

  Ivan Eiji Simurra

  181-188

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.471

• Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

  Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.5

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

  Fernando Falci de Souza, Adolfo Maia Jr.

  4

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.4

• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music

  Peng Liu

  1-9

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-9