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• Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

  Jéfrey Antônio de Andrade, Rogério Tavares Constante

  1-44

  2024-09-09

  DOI: https://doi.org/10.33871/vortex.2024.12.8864

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• Music and Silence

  Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian

  1-22

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.9117

• The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

  Luigi Brandão, Flavio Barbeitas

  1-25

  2025-07-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9425

• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

  Luciano Souto, Adrielle Clara Silva Melo

  1-40

  2024-03-28

  DOI: https://doi.org/10.33871/vortex.2024.12.8286

• Research in composition and musical analysis: Computational tools, inter-relationships and emergences

  Danilo Rossetti

  1-31

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7382

• Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

  Tassio Lima, Joana Holanda

  1-41

  2024-08-07

  DOI: https://doi.org/10.33871/vortex.2024.12.8485

• Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

  Cláudia Araújo Garcia

  1-28

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.8726

• Francisco Mignone's music for two pianos and functional juxtaposition

  Maria Bernardete Castelan Póvoas, Alexandre Dietrich

  1-35

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7454

• Sérgio Abreu: the foundations of a guitar school

  Luciano Morais

  1-25

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7948

• Karen Tuttle's Coordination applied to the performance and interpretation of Edino Krieger's Brasiliana

  Leonardo Piermartiri, Daphne Capparelli Gerling

  13

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.13

• Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

  Helvis Costa, Fabio Scarduelli

  1-39

  2024-04-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8631

• Gender Negotiation of the composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject.

  Pirkko Moisala, Camila Durães Zerbinatti

  1-24

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.886

• Comparative study of four Julian Bream versions of Benjamin Britten's Nocturnal

  Bruno Madeira

  1-38

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7057

• Desenvolvimento e Construção do Sistema de Baquetas para Pequenos Instrumentos Suspensos - SIBAPIS2020

  Fernando Chaib, Ronan Gil, Charles Augusto, Leandro Silva, Tiago Silva

  12

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.12

• Development and Construction of the Snare Control System by Pedal - SICESP2020

  Fernando Martins de Castro Chaib, Charles Augusto Braga Leandro, Leandro César, Tiago Alexandre Silva

  1-31

  2023-04-09

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7075