Search

Search Results

• Creating from the Body: Gendered Agency in Contemporary Music Performance

  Iracema De Andrade Almeida

  1-27

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11231

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• Women in the practice of Mbira in Mozambique: breaking down gender barriers.

  Micas Orlando Silambo

  1-41

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9681

• Temporality and performing style in Luciano Berio's Sequenza XI for guitar

  Diego Castro-Magas

  1.31

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.31

• Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

  Andre Roque Cardoso, Helena Marinho

  1-34

  2026-03-31

  DOI: https://doi.org/10.33871/vortex.2026.14.10853

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870

• Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano

  Brian Inglis

  5

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.5

• Click Tracker PD patch

  João Pais

  201-203

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.475

• Shared musical creativity: teaching composer-performer collaboration

  Luciane Cardassi, Guilherme Bertissolo

  13

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.13

• The concept of piano timbre: perspectives from five graduate pianists

  Nayane Nogueira Soares

  1-34

  2024-12-18

  DOI: https://doi.org/10.33871/vortex.2024.12.9190

• Performative Listening with Trees in the Sonic Ecology of Forests

  Suna Başlantı

  1-23

  2024-12-21

  DOI: https://doi.org/10.33871/vortex.2024.12.9511

• A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

  Ferran Tamarit

  1-34

  2026-03-17

  DOI: https://doi.org/10.33871/vortex.2026.14.10939

• Drawing texture with the toy piano

  Diana Blom

  2

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.2

• Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

  Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo

  1-34

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11041

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• An Issue between Contemporary Theory and Modern Compositional Practice A Study of Joseph Straus's Laws of Atonal Voice Leading and Harmony using Webern's Opus 12/2 and Crawford's String Quartet Mvt. 3

  Yi-Cheng Daniel Wu

  1-29

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.427

• The Practice of Teaching Composition

  Dániel Péter Biró

  1-11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-11

• Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

  Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.5

• Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

  Isabella Tais Sonsin, Alexandre Remuzzi Ficagna

  1-37

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7312

• Comparative study of four Julian Bream versions of Benjamin Britten's Nocturnal

  Bruno Madeira

  1-38

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7057

• Perspectivas Filosóficas da Educação Musical

  Randall Allsup, Margarete Arroyo, Renato de Carvalho Cardoso

  2018-04-01

  DOI: https://doi.org/10.33871/23179937.2018.6.1.2405

• moon chunks: creating musical meanings

  Sara Carvalho

  1-19

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2151

• Tool Study #1 – Audiovisual interface, performance

  Anton Lapov

  26

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.26