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##search.searchResults.foundPlural##
Sérgio Abreu and the history of his contribution with Quaternaglia and Brazilian Guitar Quartet
Teresinha Prada, Hoberdan Peno
1-27
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7945
Two unpublished transcriptions by Sérgio Abreu: procedures, contexts and criteria for diplomatic editions
Humberto Amorim, Ricardo Dias, Paulo Martelli
1-46
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.8359
Possível influência de Quincas Laranjeiras no desenvolvimento do estilo violonístico de Heitor Villa-Lobos
Humberto Amorim, Sérgio Abreu
1-38
2023-11-01
DOI:
https://doi.org/10.33871/23179937.2023.11.2.8376
Cataloging Sérgio Abreu guitars
Walmor Angelo Boza, Daiane Boza, Juarez Bergmann Filho
1-31
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7950
Dossier "Homage to Sérgio Abreu: guitar, contexts, practices and characters"
Dossiê “Homenagem a Sérgio Abreu: violão, contextos, práticas e personagens”
Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Guilherme Poletto
1-2
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.8362
Sérgio Abreu and Dona Monina: a duo beyond the Duo
Roberta Mourim Cabral
1-18
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7935
Sérgio Abreu and his time
Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Poletto
1-228
2023-10-06
DOI:
https://doi.org/10.33871/23179937.2023.11.2.8345
Sérgio Abreu: the foundations of a guitar school
Luciano Morais
1-25
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7948
Sérgio Abreu's approaches for Fernando Sor's studies
Bruno Madeira
1-35
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7916
Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis
Cauã Canilha, Daniel Wolff, Edelton Gloeden
1-41
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7941
Some Thoughts on Rhythm - Prologue of Alice Arztz's book "Rhythmic Mastery"
Angel Tateishi; Alice Artzt
1-8
2023-10-11
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7497
Behind the scenes of Francisco Mignone’s “Concerto for Guitar and Orchestra” reviewed by Sergio Abreu.
Maurício Orosco
1-27
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7933
Investigating the Sérgio and Eduardo Abreu duo's discography
Gilson Antunes
1-18
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7949
The “Abreu’s Model” guitars present at the TSMD Ivanildo Rebouças da Silva in Cubatão-SP
Jéssica Messias dos Santos, Tadeu Moraes Taffarello
1-21
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7946
Julian Bream e a Luteria
Ricardo Dias
1.52
2020-12-15
DOI:
https://doi.org/10.33871/23179937.2020.8.3.1.52
Hino Nacional Brasileiro: transcrição para violão
Maurício Orosco
1-6
2016-12-31
DOI:
https://doi.org/10.33871/23179937.2016.4.3.1348
1 - 16 of 16 items
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Keywords
Musical Interpretation
Classical Guitar
Musical Analysis
Composition
New music
Rock
Acoustic Ecology
instrumental performance
Piano performance
Toy piano
Intersectionality
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contemporary music
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Sérgio Abreu
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Pedagogy
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extended techniques
sound art
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