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• Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

  Vinícius Cesar de Oliveira, José Henrique Padovani

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.3

• Drawing texture with the toy piano

  Diana Blom

  2

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.2

• The Guitar as a Laboratory for Experimentation

  Camilo A. Mendez San Juan

  1.10

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

• Contrasting noises and expanding sounds: the composition process of Caminantes I to IV

  Igor Leão Maia

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2606

• The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

  Lucas Mateus Silva, William Teixeira da Silva

  1-32

  2025-05-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9096

• Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition

  Barry Yuk Bun Wan

  2

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.2

• The Body of Time: a reading of Gérard Grisey's Prologue una lectura de la obra Prologue de Gérard Grisey

  Silvio Ferraz, William Teixeira

  1-27

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8224

• “Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences

  Danilo Rossetti

  1-24

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8235

• From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

  Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves

  1-31

  2024-03-28

  DOI: https://doi.org/10.33871/vortex.2024.12.8731

• Music – source of immense joy or of disturbing frustration?

  Gabriel Mălăncioiu

  1-6

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-6

• Si amanece, nos vamos for solo guitar: Using multiphonics in a new way

  Rita Torres

  1.7

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.7

• Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

  José Henrique Padovani

  17

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.17