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• Space in Music: what we call ‘space’ in music and what it really is

  Fabio Wanderley Janhan Sousa

  1-24

  2024-06-18

  DOI: https://doi.org/10.33871/vortex.2024.12.8490

• The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

  Rosana Marreco Brescia, Marco Brescia

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.9600

• Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition

  Barry Yuk Bun Wan

  2

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.2

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• The night, the music: a cognitive hypothesis

  Maurício Dottori

  7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.7

• A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

  Leonardo Vieira Feichas, Emerson Luiz de Biaggi, David John Cranmer

  1-24

  2023-05-19

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7431

• Creating from the Body: Gendered Agency in Contemporary Music Performance

  Iracema De Andrade Almeida

  1-27

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11231

• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

  Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9869

• Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music

  Peng Liu

  1-9

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-9

• Teaching Music Composition: A Poetic Interdisciplinary Path Through Art and Life

  Roseane Yampolschi

  15

  2020-03-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.15

• An Issue between Contemporary Theory and Modern Compositional Practice A Study of Joseph Straus's Laws of Atonal Voice Leading and Harmony using Webern's Opus 12/2 and Crawford's String Quartet Mvt. 3

  Yi-Cheng Daniel Wu

  1-29

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.427

• Music and Silence

  Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian

  1-22

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.9117

• Shared musical creativity: teaching composer-performer collaboration

  Luciane Cardassi, Guilherme Bertissolo

  13

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.13

• Contemporary music at Fundação de Educação Artística in the decade before COVID-19 los impactos de la pandemia de COVID-19 en Belo Horizonte

  Guilherme Nascimento

  1-17

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.8464

• Women and gender perspective: analyzing the repertoire of professional choirs in Southeast Brazil

  Maria Rúbia de Moraes Andreta, Susana Cecília Igayara-Souza

  1-37

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9894

• Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

  Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo

  1-34

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11041

• Visuals, Structure and Emotion: The Toy Piano in the Dramaturgy of Piano Recitals

  Késia Decoté Rodrigues

  4

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.4

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• Tropical(ist) Fantasies: Bossa nova and samba in contemporary Lebanon

  Gabrielle Messeder

  2018-12-01

  DOI: https://doi.org/10.33871/23179937.2018.6.3.2632

• Layers of musical interaction: an analysis of Anders Lind's installation Lines

  Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro

  1-38

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11478

• Editing Strategies for Overcoming Instrumentation Issues in Rebay's Großes Duo in a-Moll

  Luiz Mantovani

  1.15

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.15

• Karen Tuttle's Coordination applied to the performance and interpretation of Edino Krieger's Brasiliana

  Leonardo Piermartiri, Daphne Capparelli Gerling

  13

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.13