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  • Extended techniques on the trumpet: report of interaction between performers/composers and performers/constructors

    Adenilson Roberto Telles, Paulo adriano Ronqui
    1-37
    2025-09-27
    DOI: https://doi.org/10.33871/vortex.2025.13.9781
  • Contrasting noises and expanding sounds: the composition process of Caminantes I to IV

    Igor Leão Maia
    2018-09-01
    DOI: https://doi.org/10.33871/23179937.2018.6.2.2606
  • The Guitar as a Laboratory for Experimentation

    Camilo A. Mendez San Juan
    1.10
    2020-12-15
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10
  • The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

    Lucas Mateus Silva, William Teixeira da Silva
    1-32
    2025-05-28
    DOI: https://doi.org/10.33871/vortex.2025.13.9096
  • A constellation for Jocy de Oliveira’s artwork

    Claudia Helena Azevedo Alvarenga
    1-38
    2024-09-18
    DOI: https://doi.org/10.33871/vortex.2024.12.9225
  • Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

    Fausto Borém
    7
    2020-09-15
    DOI: https://doi.org/10.33871/23179937.2020.8.2.7
1 - 6 of 6 items
Language
  •   English
  •   Español
  •   Português

Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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