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Vol. 10 No. 1 (2022): Vortex Music Journal
Vol. 10 No. 1 (2022): Vortex Music Journal
Published:
2022-04-24
Editorial
Editorial Dossier Brazilian Symposium on Computer Music
Ivan Simurra, Flávio Schiavoni, Cristiano Figueiró, Isabel Nogueira
PDF
Dossier "18th Brazilian Symposium on Computer Music"
From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market
Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.2
Idiosyncratic Audio Feedback Networks for Music Creation
Adriano Claro Monteiro
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.1
Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics
Vinícius Cesar de Oliveira, José Henrique Padovani
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.3
Real-time Analysis of Interactive Scores in PWGL
Mika Kuuskankare
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.4
Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System
Sérgio Freire, José Henrique Padovani, Caio Costa Campos
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.5
Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea
Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.6
Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments
Isabela Corintha, Giordano Cabral
7
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.7
A Networked Hybrid Interface for Audience Sonification and Machine Learning
Konstantinos Vasilakos
PDF
DOI:
https://doi.org/10.33871/23179937.2022.10.1.4695
Language
English
Español
Português
Keywords
Musical Interpretation
Classical Guitar
Musical Analysis
Composition
New music
Rock
Acoustic Ecology
instrumental performance
Piano performance
Toy piano
Intersectionality
Performance Practice
Listening
Percussion
contemporary music
Electroacoustic Music
Performance
Music Composition
Sérgio Abreu
Pure Data
Women
Pedagogy
identity
Field Recording
extended techniques
sound art
Samba
Silence
modernism
Soundscape
Brazilian music
Guitar
Improvisation
Artistic research
compositional techniques
Female Composers
Camargo Guarnieri
Technology
Music
Musical performance
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