Vol. 11 No. 3 (2023): Vortex Music Journal

View Vol. 11 No. 3 (2023): Vortex Music Journal

Published: 2023-12-24

Original Article

Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2

Pyero Talone

1-28
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8218
The influence of instrumental timbre on the perception of tonal melodies

Jessé Meier de Andrade, Cristiane Hatsue Vital Otutumi

1-29
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8209
Provincializing opera - the production of otherness in Les Indes Galantes producción de alteridades en Les Indes Galantes

Maya Suemi Lemos

1-26
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8229
Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

Helder Alves de Oliveira, Liduino Pitombeira

1-37
- PDF
DOI: https://doi.org/10.33871/23179937.2023.11.3.8241
Memories and historical sense of the “persecution of samba” in Post-Abolition Rio de Janeiro

Lurian Reis da Silva Lima

1-22
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.7968
Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students un estudio experimental con estudiantes de pregrado en Música

Renan Colombo Simões, Daniel Wolff

1-39
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8145
Modinha and its paradigms: arcadian and romantic modinha and the re-popularization of Catulo da Paixão Cearense

Pedro Vaccari

1-31
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.7989

Dossier”25 years without Gérard Grisey”

The Body of Time: a reading of Gérard Grisey's Prologue una lectura de la obra Prologue de Gérard Grisey

Silvio Ferraz, William Teixeira

1-27
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8224
“Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences

Danilo Rossetti

1-24
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8235
(I) Materialisms: Grisey, Dufourt, and the liminality between object, form, and subject in process music

Austeclínio Lopes de Farias, Tatiana Catanzaro

1-25
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8246
Gérard Grisey's Vortex Temporum from the conductor's perspective

André Muniz, Erickinson Lima

1-40
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.3.8247