Vol. 13 (2025): Revista Vórtex

View Vol. 13 (2025): Revista Vórtex

Published: 2025-04-15

Original Article

Idiosyncrasies in rabeca making in Pernambuco: The case of Valério Bizunga, Olinda, Pernambuco, Brazil

Erasmo Estrada, Jorge Ventura de Morais

1-50
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DOI: https://doi.org/10.33871/vortex.2025.13.9210
Education and the professional life of Horn players in Brazil in the 21st Century

Radegundis Aranha Tavares Feitosa, Maria Suellen Magalhães

1-34
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DOI: https://doi.org/10.33871/vortex.2025.13.9496
The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

Lucas Mateus Silva, William Teixeira da Silva

1-32
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DOI: https://doi.org/10.33871/vortex.2025.13.9096
Huni Kuin shamanic chants: ayahuasca cerimonies, cosmologies and bridges between worlds

Leonardo Bomfim
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DOI: https://doi.org/10.33871/vortex.2025.13.8946
Tinctoris on false concordances: a mistake made by all composers?

Matheus Rocha Grain

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.9467
An analysis of Ruggiero Ricci's conceptions of left-hand violin technique

Brigitta Calloni

1-32
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DOI: https://doi.org/10.33871/vortex.2025.13.9459
The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

Luigi Brandão, Flavio Barbeitas

1-25
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DOI: https://doi.org/10.33871/vortex.2025.13.9425
The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

Rosana Marreco Brescia, Marco Brescia

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.9600
Damiano Cozzella’s pop avant-garde: cultural hybridization and the composition as a critical act

Fernando Magre, Mónica Vermes

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.10593
‘Chess studies’ for String Quartet: Composition based on chess

Alberto Hortigüela, Sara Carvalho

1-34
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DOI: https://doi.org/10.33871/vortex.2025.13.9479
Artistic Research in Theses and Dissertations at Brazilian Universities between 2018 and 2022

Marta Macedo Brietzke, Mario Videira

1-42
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DOI: https://doi.org/10.33871/vortex.2025.13.10394
The Chromatic False Relation: A Compositional Device and Diegetic Trope in the English Renaissance

Eduardo Solá Chagas Lima

1-49
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DOI: https://doi.org/10.33871/vortex.2025.13.9621
Cultural activism: musical memories of black associativism in Rio de Janeiro (1900-1930)

Lurian Reis da Silva Lima

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.9676
Pop Art as an Artistic Material of Modernity in Rock and Its Distinctions in England and the USA

Vanessa Pironato Milani, José Cesar Fernandes Gomes

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DOI: https://doi.org/10.33871/vortex.2025.13.10047
Noise as Timbre of Materiality

Roberto Wu

1-24
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DOI: https://doi.org/10.33871/vortex.2025.13.10840
"Alfonsina y el mar" in MPB: Brazilian reinterpretations of Argentine song

Daniel Menezes Lovisi

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.10354
Expanding the Pianist’s Toolbox: Approaches to Arpeggiation, Pedalling, and Gesture

Óscar Caravaca González

1-38
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DOI: https://doi.org/10.33871/vortex.2025.13.9839
Extended techniques on the trumpet: report of interaction between performers/composers and performers/constructors

Adenilson Roberto Telles, Paulo adriano Ronqui

1-37
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DOI: https://doi.org/10.33871/vortex.2025.13.9781
Thematic convergences between "Canto de amor e paz" and "Sinfonia 4" by Cláudio Santoro

Paulo de Paula, Carlos Fernando Fiorini

1-27
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DOI: https://doi.org/10.33871/vortex.2025.13.9830
The territory of Artistic Research: investigating the margins of polysemy

Bibiana Bragagnolo

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.9870
Music Conducting Pedagogy and Technology: A Descriptive Review of Literature

Adamilson Abreu

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DOI: https://doi.org/10.33871/vortex.2025.13.9841
Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

Thiago, Elenisio

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.10702
A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

Rafael Gonçalves

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DOI: https://doi.org/10.33871/vortex.2025.13.9849
Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

Felipe Vasconcelos, Renan Simões

1-37
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DOI: https://doi.org/10.33871/vortex.2025.13.10837
Music virality on social platforms: A literature review

Gabriel P. Oliveira, Ana Paula Couto da Silva, Mirella M. Moro

1-32
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DOI: https://doi.org/10.33871/vortex.2025.13.10848
Reflections on guitar technique based on the experience of Nenéu Liberalquino

Deyvison Lucas da Silva, Viviane dos Santos Louro

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.10653
“Ayisyen kite lakay”: an introduction to the music of the Haitian diaspora in Brazil

Caetano Maschio Santos

1-33
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DOI: https://doi.org/10.33871/vortex.2025.13.10777

Dossier “Music and Women”

Mulheres e Música: à guisa de editorial

Inês de Almeida Rocha, Luciana Requião

1-6
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DOI: https://doi.org/10.33871/vortex.2025.13.11079
The Woman and the Guitar in Portugal: Cataloging Process

Maria Beatriz Oliveira, Pedro Rodrigues

1-28
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DOI: https://doi.org/10.33871/vortex.2025.13.9727
Women in the practice of Mbira in Mozambique: breaking down gender barriers.

Micas Orlando Silambo

1-41
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DOI: https://doi.org/10.33871/vortex.2025.13.9681
Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

Juliane Larsen, Camila Cardoso

1-34
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DOI: https://doi.org/10.33871/vortex.2025.13.9887
Sensible listening technologies: a feminist and decolonial methodology for music

Isabel Porto Nogueira

1-32
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DOI: https://doi.org/10.33871/vortex.2025.13.9958
Susanne K. Langer and the Problem of Musical and Artistic Significance.

Clovis Salgado Gontijo Oliveira, Mauro Miguel de Araújo Teixeira

1-29
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DOI: https://doi.org/10.33871/vortex.2025.13.9872
To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco

Thiago de Souza Borges, Samuel Araújo

1-21
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DOI: https://doi.org/10.33871/vortex.2025.13.9953
BatuCantada: Women in percussion subverting the musical patriarchy

Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti

1-24
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DOI: https://doi.org/10.33871/vortex.2025.13.9951
Women in Samba: work, collective experiences, and cultural policies

Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos

1-28
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DOI: https://doi.org/10.33871/vortex.2025.13.9960
It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

Denise Santiago-Figueiredo, Ana Paola Laeber

1-36
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DOI: https://doi.org/10.33871/vortex.2025.13.9893
An analysis of labor conditions of black and indigenous singers in the bahian music

Júlia Melo Salgado, Daniele Pereira Canedo

1-42
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DOI: https://doi.org/10.33871/vortex.2025.13.9886
The therapeutic power of black women's music: perspectives for the clinic

Sara Santos Dias Costa, Maylla Monnik Rodrigues de Sousa Chaveiro

1-22
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DOI: https://doi.org/10.33871/vortex.2025.13.9867
Black female composers and singers - aesthetic experience and representation in music

Gisele Massola, Michele Castro

1-25
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DOI: https://doi.org/10.33871/vortex.2025.13.9906
Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

Clara Fernandes Albuquerque

1-30
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DOI: https://doi.org/10.33871/vortex.2025.13.9963
Magda Tagliaferro: the criticisms of the French music press and gender issues

Anderson da Mata Daher

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.9774
Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

1-29
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DOI: https://doi.org/10.33871/vortex.2025.13.9925
The Influence of Symbolic Gender Violence on the Work of Female Composers

Janaina Fellini, Gislaine Cristina Vagetti

1-26
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DOI: https://doi.org/10.33871/vortex.2025.13.9801
Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

1-34
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DOI: https://doi.org/10.33871/vortex.2025.13.9869
Effects of LaxVox exercise on vocal tract resonance of lyric sopranos

Suelen Scholl Matter, Marta Assumpção de Andrada e Silva , Zuleica Camargo, Leslie Piccolotto Ferreira, Nadja Sousa

1-31
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DOI: https://doi.org/10.33871/vortex.2025.13.9912
Women and gender perspective: analyzing the repertoire of professional choirs in Southeast Brazil

Maria Rúbia de Moraes Andreta, Susana Cecília Igayara-Souza

1-37
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DOI: https://doi.org/10.33871/vortex.2025.13.9894
Women in the History of Music, in textbooks and in teacher education

Andréia Schach Fey, Guilherme Romanelli

1-25
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DOI: https://doi.org/10.33871/vortex.2025.13.9914
Women in samba: what do recent academic productions say?

Yanne Angelim Dias, Maria Zelma de Araújo Madeira

1-27
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DOI: https://doi.org/10.33871/vortex.2025.13.9936