Vol. 11 No. 1 (2023): Vortex Music Journal

Editorial

Editorial vol.11 n.1

Felipe de Almeida Ribeiro, Fabio Poletto

1-2
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7940

Original Article

Creative processes in musical composition: sources of inspiration under self-scrutiny

Rita Torres

1-14
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7444
The “grandfather of the modern guitar”: Quincas Laranjeiras and his role as a cultural mediator

Humberto Amorim, Paulo Martelli

1-29
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7100
The notion of silence in John Cage and Toru Takemitsu under the post-human theory

Guilherme Stromberg Guinski, Indioney Carneiro Rodrigues

1-20
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.6824
Research in composition and musical analysis: Computational tools, inter-relationships and emergences

Danilo Rossetti

1-31
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7382
Development and Construction of the Snare Control System by Pedal - SICESP2020

Fernando Martins de Castro Chaib, Charles Augusto Braga Leandro, Leandro César, Tiago Alexandre Silva

1-31
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7075
Thematic dossiers published in Brazilian academic Music journals (2016-2020)

Renato Pereira Torres Borges

1-21
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7110
Desconstructing Ligeti: report of an artistic experimentation

Alice Martins Belém Vieira, Felipe de Oliveira Amorim

1-26
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7225
Praxis of guitar performance: three recordings of Tedesco’s “Omaggio a Boccherini”

Caio Victor de Oliveira Lemos, Carolina Lindenberg Lemos

1-38
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7440
Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

Isabella Tais Sonsin, Alexandre Remuzzi Ficagna

1-37
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7312
The stylus phantasticus in the toccata BWV 912 of Johann Sebastian Bach

Lucas Thomasi Genero, Helena Jank

1-25
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7390
Notes on Psychological Suffering and Musical Performance

Luigi Brandão, Flavio Barbeitas

1-29
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7117
A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

Leonardo Vieira Feichas, Emerson Luiz de Biaggi, David John Cranmer

1-24
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7431
Musical Transcription: creation and analysis in five approaches influenced by Luciano Berio

Felipe Vasconcelos

1-22
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7459
Building a performance of the piece “Mutationen II für violoncelo und tonband” by Claudio Santoro.

Diego Paixão, Juan Ignacio Ferreras,

1-46
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7466
Francisco Mignone's music for two pianos and functional juxtaposition

Maria Bernardete Castelan Póvoas, Alexandre Dietrich

1-35
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7454

Video

Le Rossiniane op.121 (n.3) for guitar by Mauro Giuliani: considerations on the construction of performance

Fabio Scarduelli

1-4
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7070

Dossier "Ubimus, Gastrosonics and Well-Being

Editorial: caminos en la investigación de la música ubicua, gastrosónica y bienestar

Damián Keller, Tereza Raquel Alcântara-Silva, Bruno Alejandro Mesz

1-33
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7776
Music Segmentation and Similarity Estimation Applied to a Gaze-Controlled Musical Interface

Higor A. F. Camporez, Yasmin M. de Freitas, Jair A. L. Silva, Leandro L. Costalonga, Helder R. O. Rocha

1-25
- PDF
DOI: https://doi.org/10.33871/23179937.2023.11.1.7068
Quorum Sensing y Vajilla Emocional

Bruno Alejandro Mesz, Sebastián Tedesco, Leonardo Potenza

1-24
- PDF (Spanish)
DOI: https://doi.org/10.33871/23179937.2023.11.1.7774
Cookin’: O jazz gravado ao ‘vivo’ e ‘à mesa’

José Menezes, Eduardo Lopes

1-27
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7773
Taste This Score

Eliana Rosales

1+14
- PDF (Spanish)
DOI: https://doi.org/10.33871/23179937.2023.11.1.7775
Music-Therapy Experiences from a Ubiquitous Music Perspective

Tereza Raquel Alcântara-Silva, Sandra Rocha do Nascimento, Mayara Kelly Alves Ribeiro, Damián Keller

1-20
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/23179937.2023.11.1.7772

Vol. 11 No. 1 (2023): Vortex Music Journal

Editorial

Editorial vol.11 n.1

Original Article

Creative processes in musical composition: sources of inspiration under self-scrutiny

The “grandfather of the modern guitar”: Quincas Laranjeiras and his role as a cultural mediator

The notion of silence in John Cage and Toru Takemitsu under the post-human theory

Research in composition and musical analysis: Computational tools, inter-relationships and emergences

Development and Construction of the Snare Control System by Pedal - SICESP2020

Thematic dossiers published in Brazilian academic Music journals (2016-2020)

Desconstructing Ligeti: report of an artistic experimentation

Praxis of guitar performance: three recordings of Tedesco’s “Omaggio a Boccherini”

Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

The stylus phantasticus in the toccata BWV 912 of Johann Sebastian Bach

Notes on Psychological Suffering and Musical Performance

A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

Musical Transcription: creation and analysis in five approaches influenced by Luciano Berio

Building a performance of the piece “Mutationen II für violoncelo und tonband” by Claudio Santoro.

Francisco Mignone's music for two pianos and functional juxtaposition

Video

Le Rossiniane op.121 (n.3) for guitar by Mauro Giuliani: considerations on the construction of performance

Dossier "Ubimus, Gastrosonics and Well-Being

Editorial: caminos en la investigación de la música ubicua, gastrosónica y bienestar

Music Segmentation and Similarity Estimation Applied to a Gaze-Controlled Musical Interface

Quorum Sensing y Vajilla Emocional

Cookin’: O jazz gravado ao ‘vivo’ e ‘à mesa’

Taste This Score

Music-Therapy Experiences from a Ubiquitous Music Perspective

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