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Vol. 5 No. 1 (2017): Vortex Music Journal
Vol. 5 No. 1 (2017): Vortex Music Journal
Published:
2017-05-02
Original Article
¿Flecha propicia o perfección indecible? Un nuevo caso de 'contrafactum' en una composición de Ignacio Jerusalem
Fabrizio Ammetto, Alejandra Béjar Bartolo, Berenice Arnold Hernández, Alberto Jordán Valdez Villar, Jhoana Daniela Vásquez Reyes
1-31
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.2664
Gesture as a metaphorical process: an exploration through musical composition
Sara Carvalho
1-9
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1852
"Escola Jabour" Hermeto Pascoal & Grupo e suas ramificações
Raphael Ferreira da Silva, Marcelo Gimenes
1-25
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1853
Lino José Nunes (1789-1847): um afro-brasileiro seria o compositor mais cromático das Américas até meados do século XIX?
Fausto Borém
1-12
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1854
Guero: Música concreta instrumental e direcionalidade na peça-estudo para piano de Helmut Lachenmann
Guilherme Ribeiro, Silvio Ferraz
1-22
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1855
Direcionamentos na escuta e suas influências no processo criativo - O caso do grupo Obra Aberta
Lucas Zewe Uriarte, José Augusto Mannis
1-23
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1856
Da emergência da sonoridade às sonoridades emergentes: mediação tecnológica, emergentismo e a criação sonora com suporte computacional
Gabriel Rimoldi, Jônatas Manzolli
1-25
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1857
Música como ação
William Teixeira, Silvio Ferraz
1-12
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1858
Expanded Modal Rhythm
Luigi Antonio Irlandini
1-24
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1859
Três modalidades de comércio musical nas primeiras décadas do Brasil Oitocentista (1808-1821): anúncios particulares, leilões e rifas
Humberto Amorim
1-22
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1860
Luís Álvares Pinto e a formação musical no Brasil na segunda metade do século XVIII
Ladson Ferreira de Matos, Luciana Câmara
1-16
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1861
Villa-Lobos e a música popular – Uma suíte "à brasileira"
Lurian José Reis da Silva Lima
1-22
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1862
Amador x Profissional - a situação do músico na cena de jazz da cidade de São Paulo
Marcus Vinicius de Almeida
1-14
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1863
Elementos gestuais recorrentes em Notas Soltas para flauta transversal solo de Bruno Kiefer
Vinicius Dias Prates
1-19
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1864
Editorial
Editorial v5. n.1
Felipe de Almeida Ribeiro, Fabio Scarduelli
1-1
PDF (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1867
Artistic Work
I saw them colours of your flag – A Speech-Based Composition on Aboriginal Sovereignty
Marcello Messina
1-8
PDF (Portuguese (Brazil))
AUDIO (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1865
Inquietações (in memorian Célio Remuzzi) – Para clarinete solo, dedicada a Jairo Wilkens
Alexandre Ficagna
1-12
PDF (Portuguese (Brazil))
AUDIO (Portuguese (Brazil))
DOI:
https://doi.org/10.33871/23179937.2017.5.1.1866
Language
English
Español
Português
Keywords
Musical Interpretation
Classical Guitar
Musical Analysis
Composition
New music
Rock
Acoustic Ecology
instrumental performance
Piano performance
Toy piano
Intersectionality
Performance Practice
Listening
Percussion
contemporary music
Electroacoustic Music
Performance
Music Composition
Sérgio Abreu
Pure Data
Women
Pedagogy
identity
Field Recording
extended techniques
sound art
Samba
Silence
modernism
Soundscape
Brazilian music
Guitar
Improvisation
Artistic research
compositional techniques
Female Composers
Camargo Guarnieri
Technology
Music
Musical performance
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